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Shawn Hoo
shawnhyc@sph.com.sg
Five Singapore shows, from Wild Rice to circus acts, head for Edinburgh Fringe
Singaporean actress-singer Nathania Ong to play Eliza in West End staging of Hamilton
Gateway Arts restages ‘conversation starter’ play on youth mental health, I And You
Book review: Joelle Taylor’s The Night Alphabet is a dream-like romp through women’s history
The Straits Times’ Weekly Bestsellers May 4
SSO unveils new season, features Chloe Chua at Sydney Opera House debut
Sifa 2024: From beach opera to cave music, explore a post-human world at festival of arts
Sifa 2024: E.M. Forster connects Singaporean theatremakers Haresh Sharma and Chong Tze Chien
Sifa 2024: Painter Genevieve Chua gets dancers to scroll, unlock and zoom in Wilful Machine
Sifa 2024: Safuan Johari assembles singers, including Aisyah Aziz, to imagine post-human world
Sifa 2024: Experimental band The Observatory seek Refuge in the sounds of Malaysia’s caves
Biography of 102-year-old artist Lim Tze Peng wins richest Singapore book prize worth $30,000
Book review: A lively history of otters, crocodiles and other Singaporean Creatures
Artists Sujak Rahman and Sunar Sugiyou reinvent batik and Chinese ink traditions
Singapore’s only letterpress heritage studio to close after 10 years, founder seeks buyer
Book review: Rowan Beaird’s The Divorcees a transporting novel of female friendship on a ranch
Call Me By Your Name author Andre Aciman tackles magic realism in newest Italian summer romance
Theatre review: Pass.ages weaves the lives of four women at watershed ages
Speak Dialect Campaign? Gen Z and millennials on quest to reclaim grandmother tongues
Is there a place for Chinese dialects in film and TV today? Media veterans weigh in
Arts Picks: Little Shop Of Horrors, Madama Butterfly reimagined, Zhuang Shengtao’s ink works
Theatre review: Wild Rice’s Tartuffe challenges society’s love of charming conmen
My Perfect Weekend with actor and Tartuffe lead Benjamin Chow
Palestinian writer-actor Amer Hlehel chooses hope in his play Taha
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